Trama

Storyline

"In Trama, Lebrat divides a surface vertically to be filmed in six equal segments of color (yellow, red, blue, green, violet, orange). The composition stays exactly the same all the way through the film. The filmmaker puts a band on the side of every two or three frames. Constructed step-by-step, using ten bands, the optical mixture of color induces strange pulsating effects." Raphaël Bassan